Set in Bogotá in 1996. In the darkness caused by power outages, the townspeople are terrified of the arrival of the antichrist. Thirteen-year-old Ana is deeply tormented by this rumor that secretly invades her daily life, by the existential crises of her school’s priest or by the animistic superstitions of the maiden.

"This is a meditation on the werewolf and the thoughts running through his head as he’s about to violently turn. But in his most agonizing moment, he is not alone. His love is there, aware of her certain death, but willing to wait for whatever may come. 'Until I Turn; will not take love away.' 　　"We were excited to have the opportunity to work with artist/musician Matthew Shelton. His distinctive visual style combines the literal and the implied themes of Luna de Bestia— transformation, cursed love and the bliss of the Void."

A close-knit group of Czech and Slovak friends gathers in a Prague apartment to ring in the New Year, sharing laughs and memories. When a seemingly innocent wager forces them to place their phones on the table and read every message and call aloud, hidden secrets emerge and long-standing bonds are tested in one unforgettable night.

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While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

When his father passes away, Juan Pablo inherits his guitar. Decided to continue his father's legacy, he abandons his career and becomes a mariachi.

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An average Sunday in the life of the filmmaker.